Victor Brauner
Consciousness of Shock
1951
Not on View
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Victor Brauner
January 1947
In The Surrealist Victor Brauner borrows motifs from the tarot to create a portrait of himself as a young man. The tarot was a subject of widespread interest to Brauner and other Surrealists. One tarot card, the Juggler (the first card in the Marseille tarot deck), provided Brauner with a key prototype for his self-portrait: the Surrealist’s large hat, medieval costume, and the position of his arms all derive from this figure who, like Brauner’s subject, stands behind a table displaying a knife, a goblet, and coins. The tarot Juggler appropriately symbolizes the creativity of the Surrealist poet, for it refers to the capacity of each individual to create their own personality through intelligence, wit, and initiative, and thus to play with his own future, as the juggler manipulates his baton. In the Waite tarot deck, the first card is the Magician. A sign of infinity (the symbol of life) that appears above the Magician’s head is also depicted on the hat of Brauner’s Surrealist. Drawing on the Juggler-Magician prototype, Brauner illustrates the traditional signs of the four suits in the tarot deck. These objects and all natural life are controlled by the Juggler, just as all creative life is at the disposal of the Surrealist poet, who wields his pen as the Juggler brandishes his wand.
Not on View
Artist | Victor Brauner |
Original Title | Le Surréaliste |
Date | January 1947 |
Medium | Oil on canvas |
Dimensions | 60 x 45 cm |
Credit line | Peggy Guggenheim Collection, Venice (Solomon R. Guggenheim Foundation, New York) |
Accession | 76.2553 PG 111 |
Collection | Peggy Guggenheim Collection |
Type | Painting |
Copy caption
Not on View
Victor Brauner
1951
Not on View
Victor Brauner
1948
Not on View
Victor Brauner
1945
On view
Victor Brauner
1954
On view