We inform visitors that the museum will close at 4 pm on Saturday, December 24
George Grosz was born Georg Ehrenfried Gross in Berlin on July 26, 1893. From 1909 to 1911, he trained at the Dresden Academy of Fine Art, and attended the Berlin College of Arts and Crafts intermittently until 1917, while taking classes at the Académie Colarossi in Paris in 1913. He enlisted and served in the German Army from 1914 to 1915 and again for a short period in 1917. His drawings, caricatures, and paintings produced during World War I criticized social corruption in Germany at the time, as well as capitalism, prostitution, the Prussian military class, and the German middle class. Many of these drawings were published in satirical journals or in portfolios for which the artist was often prosecuted.
Grosz held his first solo exhibition in 1920 at the Neue Kunst/Hans Goltz gallery in Munich and took part in the First International Dada Exhibition in Berlin. His contributions to the Dada movement were significant; along with John Heartfield and Raoul Hausmann, Grosz is considered the inventor of the photomontage technique. During the 1920s he joined the Novembergruppe and the New Objectivity movement but eventually moved away from this style to experiment with Magic Realism, which resulted in a series of landscapes and still-life paintings. In 1933, in response to the rise of National Socialism, Grosz decided to move to the United States, where he taught at the Art Students’ League in New York and opened a painting school with artist Maurice Stern. During this period he painted many large-scale watercolors of the city, as well as apocalyptic scenes alluding to the increasingly troubled situation in Germany.
In 1937 he received a Guggenheim Fellowship and produced oil paintings of apocalyptic landscapes and war scenes. The following year he became an U.S. citizen. Grosz was the subject of a major retrospective at the Museum of Modern Art in 1941 which later toured the United States. In the 1940s, despite his widespread recognition, his financial situation forced him to reluctantly resume teaching. In 1946 he published his autobiography and returned to Berlin in 1959, where he died on July 5.