
Toti Scialoja
Impronta bianca su sabbia
1959
Opera non esposta
Partecipa a una visita guidata della mostra temporanea ogni domenica alle 11.00
Mimmo Paladino
1998 (fusione 2001)
Mimmo Paladino’s bronze Cloven Viscount is a numinous presence in the gardens of the Peggy Guggenheim Collection. The hieratic pose, with arms lowered and straight, the palms outward, the planar "aura" that surrounds the figure, gives the Viscount the look of an Ecce Homo of Christ. Yet there is no pathos, nor is it a Christian image. Its anatomy is deprived of gender and uninflected by muscle or movement. The face is a mask, with holes like the hollow eyes of Picasso’s Demoiselles d’Avignon. The body is also a mask—a convex cuirass that conceals a void behind. The title of the work alludes to the celebrated 1952 novel by Italo Calvino, but Calvino’s Manichean division between right and left, good and evil, is missing (Calvino’s Viscount Medardo is split down the middle, not down the side). Stylistically, the abrupt contrasts between the simplified, almost naïf silhouette of the figure, and the ridged lines like roots or membrane, indicative of entrapment, pain, and organic growth, evoke the extreme diversity of attentive draftsmanship and gestural brushstroke of Transavanguardia painting, the ambience of Paladino’s artistic debut.
Opera non esposta
Artista | Mimmo Paladino |
Data | 1998 (fusione 2001) |
Tecnica | Bronzo |
Dimensioni | 235 x 95 x 40 cm |
Credit line | Fondazione Solomon R. Guggenheim, New York. Donazione dell'artista |
Inventario | 2001.35 |
Collezione | Acquisizioni e donazioni |
Tipologia | Scultura |
Copia la didascalia
Opera non esposta
Toti Scialoja
1959
Opera non esposta
Mark Tobey
1964
Opera non esposta
Gastone Novelli
1964
Opera non esposta
Marcel Jean
1935-42
Opera non esposta