
Jean (Hans) Arp
Overturned Blue Shoe with Two Heels Under a Black Vault
ca. 1925
Not on View
Francis Picabia
1915
In 1915 Francis Picabia abandoned his exploration of abstract form and color to adopt a new machinist idiom that he used until about 1923. Unlike Robert Delaunay or Fernand Léger, who saw the machine as an emblem of a new age, he was attracted to machine shapes for their intrinsic visual and functional qualities. He often used mechanomorphic images humorously as substitutes for human beings. In Very Rare Picture on the Earth a self-generating, almost symmetrical machine is presented frontally, clearly silhouetted against a flat, impassive background, and might be read as the evocation of a sexual event in mechanical terms. This dispassionate view of sex is consonant with the antisentimental attitudes that were to characterize Dada. Not only is Very Rare Picture on the Earth one of Picabia’s earliest mechanomorphic works, but it has been identified as his first collage.
On view
Artist | Francis Picabia |
Original Title | Très rare tableau sur la terre |
Date | 1915 |
Medium | Oil and metallic paint on board, silver and gold leaf on wood |
Dimensions | 125.7 x 97.8 cm, including artist’s painted frame |
Credit line | Peggy Guggenheim Collection, Venice (Solomon R. Guggenheim Foundation, New York) |
Accession | 76.2553 PG 67 |
Collection | Peggy Guggenheim Collection |
Type | Painting |
Copy caption
On view
Jean (Hans) Arp
ca. 1925
Not on View
Pegeen Vail
1966
On view
Ellsworth Kelly
1972
On view
Sam Francis
ca. 1958
On view