Willem de Kooning, like Jackson Pollock and Robert Motherwell, was a leader in the development of Abstract Expressionism, an American movement strongly influenced by European Surrealist notions of automatism and free expression. De Kooning did not use preliminary studies but painted directly on the support, manipulating pigment in vigorous, uninhibited gestures, expressing his subjective apprehensions of the material world in both figurative and abstract compositions. In the late 1950s de Kooning reduced the frenzied proliferation of stroke, form, and plane that had characterized his preceding work to effect compositions of relative restraint and clarity. The quality of light and the freshness of color in the present painting communicate a sense of landscape.Each area of color, contoured only by the physical edges of the paint, is applied expansively. The broad simplification makes conspicuous the manner of paint application and the resultant textural complexities of the medium.