Giorgio de Chirico
The Red Tower
1913
On view
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Giorgio de Chirico
1914
This work belongs to a series of paintings of 1914 on the subject of the poet. Recurrent motifs in the sequence are the plaster bust with dark glasses, the mannequin, and the fish mold on an obelisk. These objects, bearing no evident relationships to one another, are compressed here into a narrow vertical format that creates a claustrophobic and enigmatic space. The use of inanimate forms imitating or alluding to human beings has complex ramifications. The sculpture at the lower left is a painted representation of a plaster cast from a stone, marble, or metal bust by an imaginary, or at present unidentified, sculptor. The fish is a charcoal drawing of a metal mold that could produce a baked “cast” of a fish made with an actual fish, with additional connotations as a religious symbol. The mannequin is a simplified cloth cast of a human figure. Each object, though treated as solid and static, dissolves in multiple significations and paradoxes. Such amalgams of elusive meaning in Giorgio de Chirico’s strangely intense objects compelled the attention of the Surrealists.
Not on View
Artist | Giorgio de Chirico |
Original Title | La Nostalgie du poète |
Date | 1914 |
Medium | Oil and charcoal on canvas |
Dimensions | 89.7 x 40.7 cm |
Credit line | Peggy Guggenheim Collection, Venice (Solomon R. Guggenheim Foundation, New York) |
Accession | 76.2553 PG 65 |
Collection | Peggy Guggenheim Collection |
Type | Painting |
Copy caption
Not on View
Giorgio de Chirico
1913
On view
Joel Shapiro
1993
Not on View
Giorgio de Chirico
1916
On view
Jackson Pollock
1946
Not on View