
Max Ernst
The Entire City
1936–37
The Peggy Guggenheim Collection is closed until further notice.
Max Ernst
ca. 1941
Max Ernst settled in New York in 1941 after escaping from Europe with the help of Peggy Guggenheim. The same year he executed a small oil on cardboard that became the basis for the large-scale The Antipope. When Peggy saw the small version, she interpreted a dainty horse-human figure on the right as Ernst, who was being fondled by a woman she identified as herself. She wrote that Ernst conceded that a third figure, depicted in a three-quarter rear view, was her daughter Pegeen; she did not attempt to identify another horse-headed female to the left.
Artist | Max Ernst |
Date | ca. 1941 |
Medium | Oil on cardboard, mounted on board |
Dimensions | 32.5 x 26.5 cm |
Credit line | Peggy Guggenheim Collection, Venice (Solomon R. Guggenheim Foundation, New York) |
Accession | 76.2553 PG 79 |
Collection | Peggy Guggenheim Collection |
Type | Work on paper |
Copy caption
Max Ernst
1936–37
Max Ernst
1941–1942
Max Ernst
1927
On view
Max Ernst
1932