
Max Ernst
The Postman Cheval
1932
Not on View
Max Ernst
ca. 1941
Max Ernst settled in New York in 1941 after escaping from Europe with the help of Peggy Guggenheim. The same year he executed a small oil on cardboard that became the basis for the large-scale The Antipope. When Peggy saw the small version, she interpreted a dainty horse-human figure on the right as Ernst, who was being fondled by a woman she identified as herself. She wrote that Ernst conceded that a third figure, depicted in a three-quarter rear view, was her daughter Pegeen; she did not attempt to identify another horse-headed female to the left.
Not on View
Artist | Max Ernst |
Original Title | “The Antipope” |
Date | ca. 1941 |
Medium | Oil on cardboard, mounted on board |
Dimensions | 32.5 x 26.5 cm |
Credit line | Peggy Guggenheim Collection, Venice (Solomon R. Guggenheim Foundation, New York) |
Accession | 76.2553 PG 79 |
Collection | Peggy Guggenheim Collection |
Type | Work on paper |
Copy caption
Not on View
Max Ernst
1932
Not on View
Max Ernst
1935–36
On view
Max Ernst
1936–37
On view
Max Ernst
1927
Not on View