The Peggy Guggenheim Collection is closed until further notice.
Executed in Cologne the year Dada was established there, it belongs to a series of about fifty works dating from 1919–20, based on diagrams of scientific instruments, in which Max Ernst used printer’s plates to reproduce preexisting images. The impressions, once altered by traditional coloristic and modeling effects, occupy a position between found object and artistic product, like his collages. In both subject and style the series can be compared with Francis Picabia’s mechanomorphic drawings and paintings. Ernst shared with Picabia an interest in typography, printed images, and language; many of the forms in the present work can be read as letters. They function as well to describe a mechanical structure that can be seen as a symbol of sexual activity. Ernst’s machine is a fantasized solution to the psychological pressures of sexual performance, as announced in the humorously heroic inscription at the bottom of the sheet.
|Original Title||Von minimax dadamax selbst konstruirtes maschinchen|
|Medium||Hand printing (?), pencil and ink frottage, watercolor, and gouache on paper|
|Dimensions||49.4 x 31.5 cm|
|Credit line||Peggy Guggenheim Collection, Venice (Solomon R. Guggenheim Foundation, New York)|
|Accession||76.2553 PG 70|
|Collection||Peggy Guggenheim Collection|
|Type||Work on paper|