The museum has been active in the study of the techniques and constitutive materials of Jackson Pollock’s eleven paintings held in the collection.
Research the works in the collection to acquire a better understanding of the novel materials used in twentieth-century art and conservation treatments.
The aspect of research includes preventive conservation, artists’ techniques, the technical peculiarities of the individual materials, and their relation to the environment in order to best assess the causes of deterioration and the resulting conservations issues.
The collaboration among departments helps to prioritize the necessary conservation treatments. Programs of maintenance, preventive conservation, and conservation thus follow. The department also sets guidelines for the safe handling of the works of art, and takes appropriate measures to create the ideal environment for both display and storage.
The Studio (1928)
Conservation of modern art painting is a challenge for conservation scientists.
Research and collaboration between the Peggy Guggenheim Collection and the Opificio delle Pietre Dure of Florence.