Public Programs. On Marino Marino
March 20, 6pm Auditorium Santa Margherita, University of Ca’ Foscari, Venice
In conjunction with the exhibition Marino Marini. Visual Passions, the Peggy Guggenheim Collection offers series of free collateral activities for adults and children. The educational programs of the Peggy Guggenheim Collection are supported by Fondazione Araldi Guinetti, Vaduz.
Mimmo Paladino and Marino Marini. A Dialogue between Masters
Exhibition curators Barbara Cinelli and Flavio Fergonzi will discuss with the artist Mimmo Paladino. The conversation will focus on the evolution of equestrian monuments through the ages, from Old Masters to the contemporary. Horses and riders were among Marini’s recurrent themes, while Paladino, whose Cloven Viscount (Il visconte dimezzato, 1998) is on view at the Peggy Guggenheim Collection, often works around the theme of the horse, one of his favorite motifs. In collaboration with the University of Ca’ Foscari.
Exhibition Talks. Beyond Marini
March 8-22, Peggy Guggenheim Collection, Venice
In March in the exhibition galleries of the Peggy Guggenheim Collection, PhD students will discuss Marini and his work. Meetings will take place twice a day. Participation is free upon purchase of the entrance ticket to the museum. Talks will be in Italian only.
March 8, 12:30 and 3pm
Duccio Nobili, Volume e superficie. Percorsi nella scultura degli anni '50
Following his BA in 2015 in Archeology and Art History at the Università Cattolica di Milano, with a dissertation on the sculptor Italo Antico with professor Francesco Tedeschi, Nobili was accepted in the PhD program at the Scuola Normale Superiore di Pisa, with a dissertation on Italian sculpture in the 1970s with professor Flavio Fergonzi. His areas of interest include post-WWII theory of sculpture with a focus on the relations between Europe and America.
March 22, 12:30 and 3pm
Elisa Francesconi, “C’est un poète de surfaces: tout le reste lui est inessentiel”: il valore della superficie nelle sculture di Marino Marini
Research fellow with a work on photographic archives as tools for a contemporary history of art criticism at the Università degli Studi Roma Tre, where she graduated with a PhD (2012), following her studies at the Università di Udine (2008). In 2013 she received a fellowship at the Archives de la critique d’art, Rennes. Her areas of interest include monochrome painting, the Rome School of the 1960s, the history of private art galleries, photography documenting contemporary art.
April 14 Peggy Guggenheim Collection, Venice #DrawingMarino
On Saturday, April 14, the museum will hold activities for lovers of drawing, offering visitors the opportunity to draw from life the sculptures on view. Equipped with paper and pencils, visitors will be able to unleash their creativity and take inspiration from Marini’s works and then share their images with the hashtag #DrawingMarino.
April 21–22 Peggy Guggenheim Collection, Venice
Doppio Senso, the program of tactile visits and workshops offered to blind or visually impaired visitors, will focus on a work on view. On Saturday, April 21 for children, and on Sunday April 22 for adults, a tactile visit by Valeria Bottalico will be followed by a workshop with the artist Felice Tagliaferri, who will help recreate the work discussed during the visit. INFO
Daily, 3:30pm Peggy Guggenheim Collection, Venice
Free presentations on the exhibition upon purchase of the entrance ticket to the museum.